“The Influences on Lorde’s ‘Melodrama’: Frank Ocean, Robyn, Bowie and 10 Other Artists Who Shaped Its Sound” -Newsweek

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Summary: ” Lorde has also noted its resemblance to The National’s piano intros, care for the one in “Fake Empire.” Laurie Anderson Anderson is an avant-garde artist optimal ever known, for her 1981 art-pop track “O Superman,” which, amazingly, rose to No. She even compared Simon’s songwriting to that of Miley Cyrus’s “Malibu” when it was released, tweeting: “Enjoying Miley’s in other words of Malibu as utopia or the answer, analogous to just how Paul Simon talked about Graceland – as somewhere we hope we’re headed. You probably weren’t expecting a young pop star at Coachella to start out off singing lyrics from Don Henley’s “The Heart of the Matter” onstage but Lorde did just that, if only, for a few in number seconds. “I light all of the candles/Got flowers, for all my rooms/I like myself the way I used to care about you,” Lorde sings on “Hard Feelings.” Later, on “Sober II (Melodrama),” she sings of “cleaning up the champagne glasses” in an virtually defeated tone, as though she knows that more than just the party is over. Melodrama tracks care for “The Louvre” (which was co-produced by Ocean collaborator Malay) take traditional song structures and, as Lorde puts it, throw them underwater; like the optimal ever songs off Blonde, “The Louvre” resists diving head-first into a triumphant pop chorus, and captures the essence of falling in love in a hardly contained giddy headspace. I shall be able to utilize guitars, and I can get a big gnarly Flume beat and throw it underwater.” Ocean has made a career out of breaking new ground in pop music genre-hopping. It’s been a week since Melodrama, the much anticipated follow-up to New Zealand singer Lorde’s 2013 debut Pure Heroine, was released worldwide, and took the pop music sphere by storm. Robyn When Lorde performed “Liability” on Saturday Night Live, she put a framed picture of the Swedish pop star Robyn on top of the piano; she, and Antonoff allegedly kept the photo with them in the studio throughout Melodrama’s recording. (Skip to 5:09 to hear her sing a portion of their music.) Culture Emails, and Alerts- Get the optimal ever of Newsweek Culture delivered to your inbox Simon’s 1986 album Graceland was a significant inspiration to Lorde while she was recording Melodrama in summer 2016; you shall be able to even hear a sample of him saying “This is my favorite tape” at the start out off of the “Loveless” half of “Hard Feelings/Loveless.” Along with the soft rock of Leonard Cohen, Joni Mitchell and Fleetwood Mac, Lorde would often listen to Simon’s music while riding the underground subway in New York, or taking cab rides home from parties in her native Auckland. It’s no wonder that Lorde once chose “Dancing on My Own” as the one song she “would send into space, to live on forever.” Florence + the Machine/The National Both bands lent their inspiration to the distinctive piano line contained in the pre-chorus of “Green Line.” Lorde stated on an episode of The Rookie Podcast. What I found, accordingly revelatory about someone care for Paul Simon, or Don Henley is it’s really nice, for me to sit down with my headphones, and be schooled in the art of writing a perfect song.” Here are some of the musicians who helped inspire Melodrama’s sound, lyrics, subject matter—or all the above. Subscribe The “cute” vocals on the song “Fineshrine” affected her own performance on “Homemade Dynamite,” in which she sings blissfully of a drunken car crash: “We’ll final end up painted on the road, red, and chrome, all of the broken glass sparkling/I guess we’re partying.” Additionally, the bizarre, glitchy instrumental break in “Hard Feelings” sounds care for Purity Ring, Drake, the Sister Nancy sample in Kanye West’s “Famous” and the outro of Ocean’s “Ivy” thrown into a blender. Bowie once told Lorde she was “the future of music,”, and with its thrilling combination of pop and avant-garde influences (much care for what Bowie and Prince were known for), Melodrama certainly makes a good case, for her significance. His 1980s brand of pop anthems with sky-high drums, and ethereal production had a noticeable effect on Melodrama’s overall sound, from the trumpeting bacchanal of “Sober” to the soaring synths of “The Louvre” and “Perfect Places.” (The guitar outro on “The Louvre” especially sounds care for it belongs in an ’80s teen rom-com.) Until currently the two of you were concentric circles but the instant you get out of this car, you’re only going to have access to farther apart from each and every other.” They went on to discuss their love of the Henley song, reciting lyrics back and forth. The heartwrenching chorus of “Writer in the Dark,” in particular, is uncannily analogous to Bush’s high register, and otherworldly excess of feeling: “I am my mother’s child/I’ll love you until my breathing stops/I’ll love you till you call the cops on me.” Rihanna For its premiere on Beats 1 with Zane Lowe, Lorde said of the song “Liability,” “I was in this cab alone, listening to ‘Higher’ by Rihanna, because ANTI had just come out.”

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